Diploma thesis covers and elaborates seventeen monuments that are preserved within the funds of the Archaeological museum in Zadar and are dedicated to the god Silvanus. Material was found in the area of Roman-era Liburnia, wich is bounded by the rivers Raša in the north and Krka in the south. God Silvan is the protector of forests, herds and borders. The origin of cult has not been fully clarified, but it is evident that in the area of the Roman province of Dalmatia Silvan is syncretized with the Greek Pan and local deity whose name is still unknown. The monuments dedicated to Silvan, which are kept inside the Museum, come from the areas of Bribir, Galovac, Ivoševac, Nin, Podgrađe, Privlaka, Zadar and from unknown sites. The monuments from Podgrađe and Zadar contain only relief, while the reliefs from Privlaka and from the unknown Liburnian site have epigraphical content in addition to the relief. The Delmatic type of representation dominates the reliefs inside the museum, i.e. Silvanus is most often depicted as Aegipan, i.e. with goat's legs, ears and horns, accompanied by animals: a goat and a dog. There are a few exceptions to this presentation. The monument from Privlaka depicts the god in the form of a goat, but with petas on his head and a sickle in his hand, two features that are characteristic of the Italian Silvanus. An atypical representation can be found on a relief from Asseria, where Silvanus is shown with a dog that is apparently hunting a boar. People who dedicate the monuments to Silvanus are of various origin. Question is whether the same deity is worshiped on all monuments, given that there is a very real possibility that Italian settlers continue to worship an Italian deity that they previously worshiped in their native area, and who may or may not be in contact with the local deity. Likewise, the autochthonous population may take the very name from Silvanus in the desire to show dedication to the local deity whom they worshiped even before the arrival of the Romans, and it is also possible that dedications are made to a syncretized deity that shares Italic, Greek, and local characteristics. The processed material represents an important contribution to a better understanding of Silvanus and his nature in the area of Liburnia, but at the same time it indicates the need for further research that would further clarify the practice of Silvanus' cult in the area of Liburnia.