With this graduation thesis, the last Marinković’s novel Never more is defined as a literary work which belongs to the boundary between modernism and post modernism. Therefore, it may be called postmodernist novel. Its prosaic organization reflects in his literary manner which refers to the poetry of modernism. First and foremost it implies plotless course of the novel told from the perspective of the main character Bartol whose stream of consciousness has the central position in this work. Bartol’s consciousness is burdened with ubiquitous experience of death and fear that comes as the consequence of the circumstances on the eve of the World War II . Consequently, the war theme becomes dominant preoccupation of romanesque reality and its characters. On the other hand, with this novel Ranko Marinković is close to the poetry of postmodernism, especially concerning the use of intertextuality which the whole novel is pervaded with. Also, the quoted title itself, taken from Poe’s The Raven, implies that, emphasizing semantic symbolism which determines this work. Postmodernist elements in this novel are also reflected in the use of literary intermedial manner and linguistic ludicity.