This bachelor thesis focuses on the immersive meta-narrative and commentary featured across all three games in the BioShock franchise while comparing the evolution of video game stories to traditional media of books and movies. It defines the notion of meta-narrative and all of its characteristics that are present in the games such as the use of the art direction, the musical component, environmental storytelling, immersion aspect through the first person perspective, etc. Original BioShock was groundbreaking at the time due to its thought-provoking nature and multiple endings while also questioning the player's agency and freedom. Although less critically acclaimed, BioShock 2 impressively corrected all the faults of its predecessor, and expanded its choices regarding multiple endings, and shed a spotlight on the philosophy of individualism, collectivism, and the meaning of free will. Finally, BioShock Infinite, through multiverse theory and quantum mechanics ironically commented on the deterministic nature of video games and singularity of choice while connecting all three games in a cohesive unit, expanding out of its game media to uniquely address players and their role in the games they play through the act of immersion and interactivity.