Biagio di Giorgio da Traù, a prominent figure in late Gothic painting, was active during the first half of the 15th century across key Dalmatian cities, including Split, Zadar, and Dubrovnik, with a particular focus on Trogir. Evidence suggests that he may have received his training in Zadar and Venice, both of which were significant artistic centres at the time. His extant body of work includes miniatures, polyptychs, and altarpieces, several of which remain preserved in different collections. His artistic contributions to Trogir were closely linked to commissions from local churches and confraternities, notably the Confraternity of the Holy Spirit, of which he was a member. His style reflects a synthesis of local Dalmatian artistic traditions with broader international influences, particularly those stemming from Venetian painting. This combination of regional and international elements allowed him to develop a distinctive style that positioned him as one of the leading painters in Dalmatia during the early 15th century. While many of his works have been lost, the surviving pieces provide valuable insights into his technical skill and artistic sensitivity. The possibility of uncovering additional works remains, which could further illuminate his contributions to Gothic painting in Dalmatia. Extensive research has shed considerable light on his life and oeuvre; however, certain questions persist, leaving room for further scholarly inquiry into his artistic legacy.