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master's thesis
Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía)
2022. urn:nbn:hr:162:476442
Alić, Tena
University of Zadar
Department of Hispanic and Iberian Studies

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Alić, T. (2022). Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía) (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:476442

Alić, Tena. "Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía)." Master's thesis, University of Zadar, 2022. https://urn.nsk.hr/urn:nbn:hr:162:476442

Alić, Tena. "Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía)." Master's thesis, University of Zadar, 2022. https://urn.nsk.hr/urn:nbn:hr:162:476442

Alić, T. (2022). 'Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía)', Master's thesis, University of Zadar, accessed 25 December 2024, https://urn.nsk.hr/urn:nbn:hr:162:476442

Alić T. Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía) [Master's thesis]. Zadar: University of Zadar; 2022 [cited 2024 December 25] Available at: https://urn.nsk.hr/urn:nbn:hr:162:476442

T. Alić, "Los elementos feministas en las películas de Humberto Solás (Manuela y Lucía)", Master's thesis, University of Zadar, Zadar, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:162:476442

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Metadata
TitleLos elementos feministas en las películas de Humberto Solás (Manuela y Lucía)
Title (croatian)Feministički elementi u filmovima Humberta Solása (Manuela y Lucía)
Title (english)The feminist elements in the films of Humberto Solás (Manuela and Lucía)
AuthorTena Alić
MentorMario Županović (mentor)
Committee memberIvana Lončar (predsjednik povjerenstva)
Committee memberMario Županović (član povjerenstva)
Committee memberVedrana Lovrinović (član povjerenstva)
GranterUniversity of Zadar
(Department of Hispanic and Iberian Studies)
Zadar
Defense date and country2022-10-12, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Filmology
Abstract
Humberto Solás es uno de los directores más grandes en la historia de Cuba. Alcanzó fama mundial con las películas Manuela (1967) y Lucía (1968), en las que habla de la vida cubana en diferentes períodos históricos. El largometraje Lucía está compuesto por tres episodios que hablan de tres épocas diferentes de Cuba: durante la Guerra de la Independencia, durante el gobierno de Gerardo Machado y durante la Revolución. Por otro lado, la acción de la película Manuela transcurre durante la dictadura de Fulgencio Batista. En estas películas Solás logró unir dos temas muy importantes: la historia de Cuba y la posición de la gente en la sociedad a través del personaje femenino. El tema de la tesis ha sido estudiar la mujer como personaje principal. Si bien el objetivo original de Solás no era hablar sobre los derechos y la posición de la mujer en la sociedad, es imposible no ver la conección entre el personaje femenino y el movimiento feminista. En las películas se puede ver el crecimiento personal de la mujer y su lucha por los derechos que le pertenecen en el sistema social.
Abstract (croatian)
Humberto Solás je jedan od najvećih redatelja kubanske povijesti. Svjetsku slavu stekao je filmovima Manuela (1967) i Lucía (1968) u kojima govori o životu na Kubi u različitim povijesnim razdobljima. Dugometražni film Lucía sastavljen je od tri djela koji govore o tri različita perioda Kube: za vrijeme rata za nezavisnost, za vrijeme vladavine Gerarda Machade i za vrijeme Revolucije. S druge strane, radnja filma Manuela događa se za vrijeme vladavine Fulgencia Batiste U ovim filmovima, Solás je uspio ujediniti dvije vrlo bitne teme: povijest Kube i položaj ljudi u društvu kroz lik žene. Tema ovog diplomskog rada bila je proučiti upravo taj lik žene. Iako Solásov prvotni cilj nije bio govoriti o pravima i položaju žena u društvu, nemoguće je ne osvrnuti se na ovu tematiku i usporediti ih s feminističkim pokretom. U filmovima se uočava ženin rast i njezina borba za ostvarivanje prava koja joj pripadaju u društvenom sistemu.
Abstract (english)
Humberto Solás is one of the greatest directors in the history of Cuba. He achieved world fame with the films Manuela (1967) and Lucía (1968), in which he talks about life in Cuba in different historical periods. The feature film Lucía is made up of three episodes that speak of three different times in Cuba: during the War of Independence, during the government of Gerardo Machada and during the Revolution. On the other hand, the action of the film Manuela takes place during the government of Fulgencio Batista. In these films, Solás managed to unite two very important themes: the history of Cuba and the position of people in society through the figure of a woman. The theme of this thesis was to study the main character of women. Although Solás' original goal was not to talk about the rights and position of women in society, it is impossible not to see the connection between the female character and the feminist movement. In the movies we can see the growth of a woman and her fight for the rights that correspond to her in the social system.
Keywords
Keywords (croatian)
Keywords (english)
Languagespanish
URN:NBNurn:nbn:hr:162:476442
Study programmeTitle: Hispanistics (double major); specializations in: Translation
Course: Translation
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra španjolskog jezika i književnosti (magistar/magistra španjolskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-11-10 14:49:36