@mastersthesis{unizd:6617,
	author = {{Božić, Lea}},
	title = {{Representation of race in Harper Lee's “To Kill A Mockingbird”}},
}
@mastersthesis{unizd:6835,
	author = {{Marinković, Ante}},
	title = {{The influence of H.P. Lovecraft in horror films and videogames}},
}
@mastersthesis{unizd:6591,
	author = {{Abramović, Boris}},
	title = {{Simulation of Reality in the Movie “Blade Runner"}},
}
@mastersthesis{unizd:6539,
	author = {{Lepur, Helena}},
	title = {{Cannibalism and Shakespeare's Titus Andronicus}},
}
@mastersthesis{unizd:6565,
	author = {{Ivančević, Nina}},
	title = {{Death and Transience in Virginia Woolf’s Novels}},
}
@mastersthesis{unizd:6567,
	author = {{Končurat, Dora}},
	title = {{Social issues and control in Melanie Martinez's K-12}},
}
@mastersthesis{unizd:6541,
	author = {{Vlašić, Tea}},
	title = {{The Portrayal of Miss Havisham's Body}},
}
@mastersthesis{unizd:6416,
	author = {{Prusina, Elena}},
	title = {{War ideologies and propaganda in American and Japanese cinema}},
}
@mastersthesis{unizd:6279,
	author = {{Bradarić, Josipa}},
	title = {{“Look Back in Anger”: The Study of Affect}},
}
@mastersthesis{unizd:6326,
	author = {{Bagić, Mirna}},
	title = {{Religion and Faith in Brian Moore's Novels}},
}
@mastersthesis{unizd:5900,
	author = {{Kurteš, Natalija}},
	title = {{Irish Family and Homosexuality in Emma Donoghue's novels}},
}
@mastersthesis{unizd:5767,
	author = {{Vodan, Antonia}},
	title = {{On “Damned Witch” and Her “Hag-Seed”: Reading the Demonized, Racialized and Sexualized Other in W. Shakespeare’s The Tempest}},
}
@mastersthesis{unizd:5764,
	author = {{Šajnović, Melanija}},
	title = {{Rebellious Sixties: Countercultural Values in Rock Music}},
}
@mastersthesis{unizd:6528,
	author = {{Digula, Petra}},
	title = {{Representation of Women in Contemporary Hollywood Film: Chick Flicks - Trapped Between the Feminist and the Feminine}},
}
@mastersthesis{unizd:5721,
	author = {{Jović, Manuela}},
	title = {{Representation of gender and race in Jenji Kohan's Orange is the New Black}},
}
@mastersthesis{unizd:6119,
	author = {{Bašić, Leona}},
	title = {{Stream of Consciousness and Time in Virginia Woolf's Mrs Dalloway, To the Lighthouse and The Waves}},
}
@mastersthesis{unizd:6532,
	author = {{Goluža, Martina}},
	title = {{The Symphony of Capitalism in Hadestown the Musical}},
}
@mastersthesis{unizd:6118,
	author = {{Orolić, Patricia}},
	title = {{Three waves of feminism: challenging the patriarchal society and influencing society’s view on “gender” and “queer”}},
}
@mastersthesis{unizd:5461,
	author = {{Rogina, Vana}},
	title = {{Women in The Selected Novels of Kate O'Brien}},
}
@mastersthesis{unizd:5435,
	author = {{Pelin, Lucija}},
	title = {{Women’s Experience in Nuala Ní Dhomhnaill's Poetry}},
}
@mastersthesis{unizd:5204,
	author = {{Rakić, Renata}},
	title = {{The Private and the Public in Paula Meehan's Poetry}},
}
@mastersthesis{unizd:7292,
	author = {{Vukičević, Ante}},
	title = {{Colonial discourse in Joseph Conrad's Novels}},
}
@mastersthesis{unizd:4677,
	author = {{Mihalina, Manuela}},
	title = {{Sexuality and Gender in A. Huxley's Brave New World and M. Atwood's The Handmaid's Tale}},
}
@mastersthesis{unizd:4355,
	author = {{Brajković, Matea}},
	title = {{Intersectional approach to Black Panther}},
}
@mastersthesis{unizd:4367,
	author = {{Šojat, Marija-Lana}},
	title = {{Analysis of Female Characters in Mary Lavin's Short Stories}},
}
@mastersthesis{unizd:4434,
	author = {{Butorac, Mateja}},
	title = {{Christian Symbolism in The Chronicles of Narnia}},
}
@mastersthesis{unizd:4432,
	author = {{Švec, Lea}},
	title = {{Posthumanism in Modern Fiction Analyzing the Posthuman in Ishiguro’s Never Let Me Go, Huxley’s Brave New World, and Bradbury’s Fahrenheit 451}},
}
@mastersthesis{unizd:4435,
	author = {{Cmrečki, Anđela}},
	title = {{The Rise of Dystopian Fiction in English and Russian Literature: Aldous Huxley and Yevgeny Ivanovich Zamyatin}},
}
@mastersthesis{unizd:4422,
	author = {{Levanić, Lucija}},
	title = {{Virginia Woolf’s Feminism and Androgyny in A Room of One’s Own, Orlando and Three Guineas}},
}
@mastersthesis{unizd:4313,
	author = {{Žurić - Kovačev, Leona}},
	title = {{The Formation of Female Identity in Edna O'Brien's The Country Girls Trilogy}},
}
@mastersthesis{unizd:4361,
	author = {{Žurić - Kovačev, Leona}},
	title = {{The Formation of Female Identity in Edna O'Brien's The Country Girls Trilogy}},
}
@mastersthesis{unizd:3389,
	author = {{Bagić, Mirna}},
	title = {{Irish Identity in the Works of Three Irish Authors}},
}
@mastersthesis{unizd:3894,
	author = {{Kruhoberec, Ivana}},
	title = {{“Mad Shakespeare”: An Analysis of Madness in the English Renaissance and Shakespeare’s Plays}},
}
@mastersthesis{unizd:3631,
	author = {{Lukin, Helena}},
	title = {{T.S. Eliot: The Waste Land in the Context of Postwar Britain}},
}
@mastersthesis{unizd:2913,
	author = {{Franjčec, Sara}},
	title = {{Censorship in Twentieth Century Irish Literature}},
}
@mastersthesis{unizd:3045,
	author = {{Sapunarić, Nikolina}},
	title = {{Willingness to Communicate among Croatian High School Learners}},
}
@mastersthesis{unizd:2373,
	author = {{Vukić, Marija}},
	title = {{Compulsive Travelers and Irish Identity in Emer Martins Novels}},
}
@mastersthesis{unizd:2379,
	author = {{Papić, Rahela}},
	title = {{Images of Death in Dylan Thomas's Poetry}},
}
@mastersthesis{unizd:2372,
	author = {{Matas, Marko}},
	title = {{The Motif of the Rose in the Poetry of William Butler Yeats}},
}
@mastersthesis{unizd:2334,
	author = {{Brachova, Laura}},
	title = {{Christianity, Music and Shakespeare}},
}
@mastersthesis{unizd:2335,
	author = {{Lončar, Matea}},
	title = {{Ethics and Religion in Graham Greene's Novels}},
}
@mastersthesis{unizd:2366,
	author = {{Kožul, Marija}},
	title = {{Heart of Darkness - A Political}},
}
@mastersthesis{unizd:2328,
	author = {{Kliček, Neven}},
	title = {{Analysis of Male Protagonists in Edna O'Briens The Country Girls Trilogy}},
}
@mastersthesis{unizd:2232,
	author = {{Cmrečak, Jura}},
	title = {{Development of Animation in Disney’s Short Films and How it Affected His First Two Feature-length Films}},
}
@mastersthesis{unizd:2329,
	author = {{Bakmaz, Antonia}},
	title = {{Portrait of the Artist in the Work of Virginia Woolf}},
}
@mastersthesis{unizd:2386,
	author = {{Mandić, Adriana}},
	title = {{Grammatical Constructions in Shakespeare's Romeo and Juliet}},
}
@mastersthesis{unizd:1595,
	author = {{Kajdiž, Ines}},
	title = {{Elements of Crime Fiction in Martin McDonaghs's Play "The Pillowman"}},
}
@mastersthesis{unizd:1502,
	author = {{Gračanin, Paula}},
	title = {{Mary Lavin: The Voice of Irish Woman}},
}
@mastersthesis{unizd:1516,
	author = {{Majčica, Ana}},
	title = {{Symbols in James Joyce's Ulysses}},
}
@mastersthesis{unizd:1411,
	author = {{Lekić, Irena}},
	title = {{Gender issues in E.M. Forster's novel A Room with a View and Virginia Woolf's Orlando}},
}
@mastersthesis{unizd:1352,
	author = {{Ćuže, Matej}},
	title = {{Images of Jewish Characters in the History of English Literature}},
}
@mastersthesis{unizd:1398,
	author = {{Šimić, Ana}},
	title = {{Elements of Suspense in Alfred Hitchock's Films}},
}
@mastersthesis{unizd:1389,
	author = {{Pijaca, Matej}},
	title = {{Epic Films of David Lean}},
}
@mastersthesis{unizd:1395,
	author = {{Kolić, Andrea}},
	title = {{Vilification and Dehumanization of Arabs in Hollywood: The Concept of the Other}},
}
@mastersthesis{unizd:1584,
	author = {{Šprljan, Šime}},
	title = {{Language and Reality in David Harrower's "Knives in Hens"}},
}
@mastersthesis{unizd:1413,
	author = {{Tomić, Leona}},
	title = {{Non-Linear Narration as a Surrealist Method in the Plays of Caryl Churchill}},
}
@mastersthesis{unizd:2385,
	author = {{Repić, Maja}},
	title = {{The New Irish Woman in Emer Martin's Novels}},
}
@mastersthesis{unizd:1348,
	author = {{Smoljo, Katarina}},
	title = {{Violence and Sarah Kane: Representation of Sexual Violence in "Blasted" and "Phaedra's Love"}},
}
@mastersthesis{unizd:1136,
	author = {{Jelinić, Ivana}},
	title = {{The Role of the Setting in William Shakespeare's A Midsummer Night's Dream}},
}
@mastersthesis{unizd:5564,
	author = {{Jurjević, Ana}},
	title = {{Contemporary Irish Society in Dermot Bolger’s The Journey Home and Emily’s Shoes}},
}
@mastersthesis{unizd:448,
	author = {{Batur, Antonia}},
	title = {{"Liquid Identity" in Alan Warner's "Morvern Callar" and "The Sopranos"}},
}
@mastersthesis{unizd:470,
	author = {{Skrbin, Irena}},
	title = {{Female Identity and Aspects of Space}},
}
@mastersthesis{unizd:460,
	author = {{Tkalčec, Lara}},
	title = {{Modernist Novel and the Idea of Progress}},
}
@mastersthesis{unizd:447,
	author = {{Tkalčec, Katarina}},
	title = {{Role of Woman in 19th Century Irish Society in Kate O'Brien's "The Ante-Room" and "Without My Cloak"}},
}
@mastersthesis{unizd:469,
	author = {{Šimičević, Matea}},
	title = {{The Representation of Woman in the Poetry of William Butler Yeats}},
}
@mastersthesis{unizd:472,
	author = {{Gotovac, Luka Antonio}},
	title = {{The Role of Water Imagery in the Modernist Novel}},
}
@mastersthesis{unizd:428,
	author = {{Sapunarić, Nikolina}},
	title = {{Images of family life in English novel}},
}
@mastersthesis{unizd:504,
	author = {{Bolonja, Tea}},
	title = {{Ideological state apparatusses in Brian Moore's The Emperor of Ice-cream and The Lonely Passion of Judith Hearne}},
}
@mastersthesis{unizd:424,
	author = {{Žulić, Mia}},
	title = {{John Osborne and the Theatre of Anger}},
}
@mastersthesis{unizd:537,
	author = {{Topolovec, Marija}},
	title = {{The Theatre of the Absurd in English and Russian Literature}},
}
@mastersthesis{unizd:535,
	author = {{Kljajić, Filipa}},
	title = {{Waiting for Godot and Existentialism}},
}