| Abstract | U ovome diplomskom radu analizirana su dva romana suvremene hrvatske književnosti – roman Sloboština Barbie, Maše Kolanović i roman Hotel Zagorje, Ivane Simić Bodrožić. Ova dva romana su autobiografski romani jer prikazuju iskustva proživljenog Domovinskog rata. Svaki roman prikazuje sudbinu dviju mladih junakinja koje iako dijele iskustvo rata, razlikuju se po svojim sudbinama, doživljajima istog kao i položajima unutar društva. Ivana je prognanica koja pripovijeda o nestalom ocu, gubitku doma i borbi za dostojanstveni život, a ujedno se opisuje njezin put k odrastanju, traženje vlastitog „ja“ , prvim izlascima i prvim ljubavima. S druge strane Mašina junakinja je pripadnica srednjeg društvenog sloja, ide u glazbenu školu, uĉi talijanski, dobiva nove barbike, a kasnije i odjeću. Rat proživljava u sigurnosti svog doma, neodvojena od svoje obitelji uz povremene uzbune i skrivanja u podrum u kojima se igra s ostalom djecom. Obje autorice formiraju identitete na različite načine. Dok Mašina junakinja identitet gradi igrajući se u podrumu, Ivanina junakinja identitet gradi odrastanjem uz izlaske i prve ljubavi. Korištenjem infantilnog glasa, autorice vješto pridonose uvjerljivosti svojih romana. Sagledat će se i elementi popularne i lokalne kulture koji predstavljaju jednu generaciju devedesetih, psihološki utjecaj rata te će se pobliže prikazati pojam autobiografskog romana. Predstavit će se obilježja književnosti devedesetih godina na prijelazu prema dvijetisućitima kao i obilježja stvarnosne proze. Roman Hotel Zagorje promatrati će se kroz tri linije pripovijedanja: život u izbjeglištvu, obiteljske odnose i put k odrastanju. Roman Sloboština Barbie promatrat će se kroz prikaze ratne stvarnosti u dječjim igrama, formiranje identiteta, doživljaj prvih zračnih uzbuna, simbolu barbike koja predstavlja prestiž kao i neminovnom prestanku igranja čime se završava jedno razdoblje djetinjstva u Jugoslaviji. |
| Abstract (english) | This thesis analyses two novels of modern Croatian literature: Slobotina Barbie by Mae Kolanovi and Hotel Zagorje by Ivane Simi Bodroi. Because they portray the realities of the Homeland War, these two works are autobiographical. Each story explores the destiny of two young heroines who, although sharing the experience of war, vary in their fates, wartime experiences, and social standing. Ivana is an exile who describes her absent father, the loss of her home, and her quest for a dignified existence, as well as her path to growing up, seeking her own "self", first dates, and first loves. Maša's heroine, on the other hand, is a member of the middle socioeconomic class who attends music school, learns Italian, receives new barbies, and subsequently receives clothing. She lives the war in the safety of her house, not separated from her family by sirens and hiding in the basement with other children. Both writers develop their personalities in distinct ways. While Maša's heroine develops her identity through basement play, Ivana's heroine develops her identity through dates and first loves. The writers skillfully add to the persuasiveness of their works by employing an immature voice. The popular and local cultural aspects that symbolise a generation of the 1990s, the psychological effect of the conflict, and the notion of an autobiographical book will be discussed. The qualities of literature from the 1990s through the turn of the century, as well as true prose, will be exhibited. The book Hotel Zagorje will be told in three parts: life in exile, relationships with relatives, and the route to maturity. The novel Slobotina Barbie will be observed through the depiction of the reality of war in children's games, the formation of identity, the experience of the first air raids, the symbol of the Barbie that represents prestige, and the inevitable cessation of playing, which ends a period of childhood in Yugoslavia. |
