prikaz prve stranice dokumenta Teme i motivi američkog fotorealizma
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undergraduate thesis
Teme i motivi američkog fotorealizma
2021. urn:nbn:hr:162:706572
Lapaš, Katarina
University of Zadar
Department of History of Art

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Lapaš, K. (2021). Teme i motivi američkog fotorealizma (Undergraduate thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:706572

Lapaš, Katarina. "Teme i motivi američkog fotorealizma." Undergraduate thesis, University of Zadar, 2021. https://urn.nsk.hr/urn:nbn:hr:162:706572

Lapaš, Katarina. "Teme i motivi američkog fotorealizma." Undergraduate thesis, University of Zadar, 2021. https://urn.nsk.hr/urn:nbn:hr:162:706572

Lapaš, K. (2021). 'Teme i motivi američkog fotorealizma', Undergraduate thesis, University of Zadar, accessed 19 December 2024, https://urn.nsk.hr/urn:nbn:hr:162:706572

Lapaš K. Teme i motivi američkog fotorealizma [Undergraduate thesis]. Zadar: University of Zadar; 2021 [cited 2024 December 19] Available at: https://urn.nsk.hr/urn:nbn:hr:162:706572

K. Lapaš, "Teme i motivi američkog fotorealizma", Undergraduate thesis, University of Zadar, Zadar, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:162:706572

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Metadata
TitleTeme i motivi američkog fotorealizma
Title (english)Themes and motifs of American Photorealism
AuthorKatarina Lapaš
MentorVinko Srhoj (mentor)
Committee memberAntonija Mlikota (predsjednik povjerenstva)
Committee memberVinko Srhoj (član povjerenstva)
Committee memberLidija Butković Mićin (član povjerenstva)
GranterUniversity of Zadar
(Department of History of Art)
Zadar
Defense date and country2021-09-27, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract
Fotorealizam se javlja krajem 60-ih i početkom 70-ih godina u Sjedinjenim Američkim Državama sa središtem u New Yorku. Trgovac Louis K. Meisel osmislio je ime stilske pojave i svojim radom obuhvatio priznate fotorealiste na području SAD-a, ali i šire. Formirana skupina fotorealista kategorizirana je prema odabiru tema zbog svoje usredotočenosti na određenu temu ili motiv. Mediji su znatno utjecali na to kako fotorealisti percipiraju svoje okruženje i odabiru motive. Fotografija je prenamijenila sliku i pružila joj detaljni uvid u ono što je nevidljivo i prolazno ljudskom oku. Umjesto borbe s pojavom novih medija, umjetnici su odlučili surađivati i koristiti tehnologiju u obliku pomoćnog sredstva.
Abstract (english)
Photorealism occurs in the late 1960s and early 1970s in the United States with its center in New York. Merchant Louis K. Meisel coined the name of the stylistic phenomenon and in his work included renowned Photorealists in the United States and beyond. The formed group of Photorealists is categorized according to the choice of themes because of their focus on a particular theme or motif. The media have significantly influenced how Photorealists perceive their environment and how they choose motives. The photograph repurposed the image and gave it a detailed insight into what is invisible and transient to the human eye. Instead of fighting the emergence of new media, artists have excelled at collaborating and using technology as an aid.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:162:706572
Study programmeTitle: History of Art
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/aprvostupnik/prvostupnica (baccalaureus/baccalaurea)povijesti umjetnosti (sveučilišni/aprvostupnik/prvostupnica (baccalaureus/baccalaurea)povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-10-28 13:08:20