Title Tjelesnost izvedbe i izvedba tjelesnosti
Title (english) Performed and Performance Corporeality
Author Josipa Bubaš
Mentor Leonida Kovač (mentor) MBZ: 204256
Mentor Sibila Petlevski (komentor) MBZ: 210220
Committee member Mario Vrbančić (predsjednik povjerenstva) MBZ: 295136
Committee member Leonida Kovač (član povjerenstva) MBZ: 204256
Committee member Suzana Marjanić (član povjerenstva) MBZ: 219880
Granter University of Zadar Zadar
Defense date and country 2020-01-17, Croatia
Scientific / art field, discipline and subdiscipline HUMANISTIC SCIENCES Interdisciplinary Humanistic Studies
Universal decimal classification (UDC ) 7.01 - Theory of art
Abstract Rad predstavlja pokušaj sistematizacije praktično-izvedbenog i izvedbeno-teorijskog istraživanja pokreta koji se odvijao tijekom desetak godina kroz različite radionice, izvedbe, razgovore i iščitavanje literature. Unatoč činjenici da je izvedbenost u širem smislu riječi termin koji se upotrebljava u mnogim segmentima ljudskog djelovanja, autorica se u radu usredotočila na proučavanje tjelesnosti kao osnove bivanja u svijetu i kreiranja stvarnosti s fenomenološkog i izvedbenog aspekta proučavajući odnos uma i tijela, njihovu integraciju i načine funkcioniranja mehanizama svijesti i tijela poput intencije, disanja, glasa, ponavljanja i ritma pri čemu se uvelike oslanjala na filozofiju utjelovljenja. Također se poimanjem tijela na Istoku i Zapadu i njihovom integracijom putem somatskih tehnika. Kroz bavljenje tijelom, pokušala je obuhvatiti složene sustave međudjelovanja subjekta i okoline, umreženost, ispreplitanje i neprestanu mijenjanje koje čine samo tkanje života. Domena izvedbenosti, kako je navedeno u radu, odabrana je prvenstveno iz interesa i ljubavi autorice prema izvedbenim umjetnostima, ali ona funkcionira i kao indikator šireg polja ljudskog djelovanja, pri čemu autorica polazi od pretpostavke da izvedbenost istovremeno stvara i reflektira djelatne mehanizme aktivnosti-percepcije i tijelo-uma u interakciji s okolinom. Odabir tematskih cjelina ostao je krnji, budući da su se tijekom istraživanja otvarala uvijek nova polja mogućnosti i usmjeravanja. Ipak rad obuhvaća ne samo teorijske uvide nego je motiviran primarno autoričinim izvedbenim i pedagoškim iskustvom koje je obrađeno u analizi radioničkog rada u studiji slučaja u zadnjem poglavlju. Bubaš smatra da je objedinjavanje iskustvenog i teorijskog, baš kao i znanstvenog i umjetničkog principa važan smjer učenja i istraživanja, i ovaj je rad pokušaj afirmiranja takve miješane metodologije tzv. praksom-vođenog teorijskog istraživanja, pri čemu se osobno iskustvo tretira kao ravnopravan teorijski alat.
Abstract (english) This doctoral thesis is an attempt at systematizing practical work in the field of performance art and practice-based theoretical research that took place over the last ten years through workshop attendance, performing, discussions and consulting literature. In spite of the fact that performativity is the term used to cover wide range of human activities, the author has focused on the research of body and on embodiment as the basis for participation and creation of reality, with special reference to phenomenological and performative aspects of body-mind relation, interaction between these concepts, as well as to mechanisms of consciousness and the body (e.g. intention, breathing, voice, repetition, rhythm. Heavily relying on the insights from the philosophy of embodiment, the author reflected on different conceptualizations of the body in the East and in the West, and to their integration through somatic work. Researching the body, Bubaš has tried to analyze complex relations between the subject and the environment; a continual flux and intertwining that create the fabric of life. The performativity itself, as it was stated before, has been chosen primarily because of the author’s passionate interest in this field of research, but also as an indicator of broader human activities. The author presumes that the performativity at the same time creates and reflects mechanisms of perception-action and bodymind in continual interaction with the environment. The choice of the topics has remained open to possible additions due to the fact that during the process of research new possibilities of research continued to crop up. However, this thesis does not deal exclusively with theoretical insights, but has also been motivated by the author’s performing and pedagogical experiences described in the workshop-based case-study presented in the last chapter. The author strongly believes that bridging the gap between theory and practice, as well as between scientific and artistic types of research, is an important direction in research and in gaining knowledge. This work is an attempt at affirming mixed-methodology options based on practice-led theoretical research, where the personal experience itself is treated as a valid theoretical tool.
Keywords
izvedba
tjelesnost
fenomenologija
intencija
dah
glas
ritam
ponavljanje
somatika
praksa
tjelesna schema
slika tijela
narativ tijela
praksa
Keywords (english)
perfromance
corporeality
phenomenology
intention
breath
voice
rhythm
repetition
somatics
praksa
body schema
body narration
practice
Language croatian
URN:NBN urn:nbn:hr:162:001086
Promotion 2021
Study programme Title: Humanities Study programme type: university Study level: postgraduate Academic / professional title: doktor/doktorica znanosti, područje humanističkih znanosti, polje interdisciplinarne humanističke znanosti (doktor/doktorica znanosti, područje humanističkih znanosti, polje interdisciplinarne humanističke znanosti)
Type of resource Text
File origin Born digital
Access conditions Open access
Terms of use
Created on 2021-03-12 08:52:30