Title Das Gesellschaftsbild des Fin de siècle in Heinrich Manns Roman "Diana" Title (croatian) Društvena slika Fin de siècle-a u romanu Heinricha Manna "Dijana" Title (english) Social representation of Fin de siècle in the novel "Diana" by Heinrich Mann Author Anđa Renić Mentor Goran Lovrić (mentor)Committee member Slavija Kabić (predsjednik povjerenstva)Committee member Marijana Jeleč (član povjerenstva)Committee member Goran Lovrić (član povjerenstva)Granter University of Zadar Defense date and country 2019-07-09, Croatia Scientific / art field, HUMANISTIC SCIENCES Abstract Der bekannte deutsche Schriftsteller Heinrich Mann ist Autor der Trilogie "Die Göttinnen" (1903), zu der auch der Roman"Diana" gehört. Die Figur der Herzogin von Assy, die in der bisherigen Literaturgeschichte vorwiegend im Sinne von Nietzsches Philosophie interpretiert wurde, kann auch als die Kritik des Autors an der gesellschaftlichen Verantwortungslosigkeit von Machthabern um die Jahrhundertwende interpretiert werden. Für diesen Roman ist auch typisch, dass der Autor wirkliche historische
... More Personen und Ereignisse nimmt und sie in die fiktive Handlung seines Romans einschließt. Gerade dieses Verfahren gibt dem Roman eine Dosis von Authentizität. Die Handlung des Romans beginnt in der Stadt Zara (Zadar), in der damaligen Hauptstadt des Königreichs Dalmatien. Durch die Entwicklung der Handlung bearbeitet der Autor nicht nur wirkliche gesellschaftlich-politische Probleme Dalmatiens, sondern auch Südosteuropas. Heinrich Mann kritisiert im Roman die bürgerliche Gesellschaft um die Jahrhundertwende, indem er die Immoralität von launischen politischen Machthabern und Priestern darstellt. Die Kritik bezieht sich auch auf die dekadente Kunst, die keine Originalität besitzt und deren Ziel ausschließlich einen handelsmäßigen Charakter hat. Das in diesem Roman Heinrich Manns dargestellte Gesellschaftsbild stimmt im großen Maße mit dem wirklichen europäischen Gesellschaftsbild des Fin de siècle überein. Less Abstract (croatian) Poznati njemački pisac Heinrich Mann autor je trilogije "Božice" (1903.) kojoj pripada i roman "Dijana". Lik vojvotkinje Assy, koji je u dosadašnjoj povijesti književnosti uglavnom interpretiran u smislu Nietzscheove filozofije, može se interpretirati i kao autorova kritika društvene neodgovornosti moćnika na prijelazu stoljeća. Također, za ovaj roman karakteristično je to što autor uzima stvarne povijesne događaje i likove i uključuje ih u fiktivnu radnju svog romana. Upravo ovaj autorov
... More postupak daje romanu dozu autentičnosti. Radnja romana počinje u gradu Zadru (Zara), tada glavnom gradu Kraljevine Dalmacije. Razvijajući radnju svoga romana, autor obrađuje stvarne društveno-političke probleme Dalmacije, ali i jugoistočne Europe. Heinrich Mann u romanu također kritizira građansko društvo na prijelomu stoljeća s pomoću prikaza nemorala hirovitih političkih moćnika i svećenika. Kritika je također usmjerena na dekadentnu umjetnost koja nema svoju originalnost i čija je svrha isključivo komercijalnog karaktera. Slika društva prikazana u ovom romanu Heinricha Manna u velikoj mjeri odgovara stvarnoj slici europskog društva Fin de siècle-a. Less Abstract (english) The famous German writer, Heinrich Mann, is the author of "Goddesses" (1903), a trilogy which includes the novel "Diana". The character of the Duchess Assyʼs, has up to now been interpreted as Manns criticism of the social irresponsibility of the privileged at the verge of the century. What characterizes this novel is Manns ability to take real historical events and historical figures and include them into the fictive plot of his novel. That is exactly the act that gives the novel
... More authenticity. The story begins in Zadar (Zara), then known as the capital of the Kingdom of Dalmatia. By developing the story in his novel the author tackles with real, existing social and political problems of Dalmatia, but also with the problems of south-eastern Europe. Furthermore, Mann criticises in his novel also the upper class at the verge of the century by depicting the immorality of capricious political potentates, but also priests. Criticism is also pointed at the decadent art which does not have its originality and whose sole purpose was that of a commercial character. The image of society shown in this novel by Heinrich Mann largely reflects the real image of European society at the Fin de siècle period. Less Keywords
Heinrich Mann
Diana
Fin de siècle
Zadar
Revolution
Südosteuropa
Gesellschaftsbild
Kirche
Kunst
Keywords (croatian)
Heinrich Mann
Dijana
Fin de siècle
Zadar
revolucija
jugoistočna Europa
društvena slika
crkva
umjetnost
Keywords (english)
Heinrich Mann
Diana
Fin de siècle
Zadar
revolution
south-east Europe
social image
church
art
Language german URN:NBN urn:nbn:hr:162:773326 Study programme Title: German Language and Literature (double major); specializations in: Teaching Type of resource Text File origin Born digital Access conditions Access restricted to students and staff of home institution Terms of use Created on 2019-07-19 06:12:29
