prikaz prve stranice dokumenta From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'
Access restricted to students and staff of home institution
master's thesis
From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'
2019. urn:nbn:hr:162:938301
Atelj, Ana
University of Zadar
Department of English

Cite this document

Atelj, A. (2019). From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore' (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:938301

Atelj, Ana. "From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'." Master's thesis, University of Zadar, 2019. https://urn.nsk.hr/urn:nbn:hr:162:938301

Atelj, Ana. "From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'." Master's thesis, University of Zadar, 2019. https://urn.nsk.hr/urn:nbn:hr:162:938301

Atelj, A. (2019). 'From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'', Master's thesis, University of Zadar, accessed 23 December 2024, https://urn.nsk.hr/urn:nbn:hr:162:938301

Atelj A. From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore' [Master's thesis]. Zadar: University of Zadar; 2019 [cited 2024 December 23] Available at: https://urn.nsk.hr/urn:nbn:hr:162:938301

A. Atelj, "From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'", Master's thesis, University of Zadar, Zadar, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:162:938301

Please login to the repository to save this object to your list.
Metadata
TitleFrom Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'
Title (croatian)Od Edne O’Brien i Country Girls Trilogy do romana Emer Martin: Ženska subverzivnost ili zašto irske junakinje 'ne moraju više biti dobre': Sažetak i ključne riječi
AuthorAna Atelj
MentorVesna Ukić Košta (mentor)
Committee memberVesna Ukić Košta (predsjednik povjerenstva)
Committee memberMarko Lukić (član povjerenstva)
Committee memberRajko Petković (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2019-03-13, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Anglistics
Abstract
This diploma paper sets out to explore The Country Girls Trilogy by Edna O'Brien and Emer Martin’s two novels More Bread or I'll Appear and Breakfast in Babylon. The paper analyses subversiveness and shamelessness of female characters and ways in which they question and defy numerous aspects of Irish tradition. The analysis demonstrates that female protagonists, both in the early sixties and at the end of the 20th century, try to break free from restrictive and rigid Irish laws that defined female identity, and that Irish heroines 'don’t have to be good anymore.' The paper shows how Edna O’Brien’s early novels managed to give voice to subjected Irish women and thus set the path for Emer Martin’s defiant and astringent female protagonists.
Abstract (croatian)
Ovaj diplomski rad se bavio proučavanjem djela Edne O’Brien The Country Girls Trilogy and Epilogue (1986) te romanima More Bread or I'll Appear (2001) i Breakfast in Babylon (1997) autorice Emer Martin. Ovim se radom istražila subverzivnost i besramnost ženskih likova i načine na koje dovode u pitanje i prkose brojnim aspektima irske tradicije. Analizom u radu je utvrđeno da ženske protagonistice, kako početkom šezdesetih, tako i krajem 20.stoljeća nastoje se pokušavaju osloboditi restriktivnih i krutih irskih zakona koji su definiraliženski identitet i da 'irske heroine više ne moraju biti dobre. ' U ovom radu je prikazano kako su rane romani Edne O'Brien uspjeli dati glas podložnim irskim ženama i tako postaviti put za prkosne i oporbene protagonistice Emer Martin.
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:162:938301
Study programmeTitle: English Language and Literature (double major); specializations in: Teaching, Research
Course: Teaching
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra engleskog jezika i književnosti (magistar/magistra engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2019-04-04 08:26:01