prikaz prve stranice dokumenta Surrogate Father Figures in Martin Scorsese's Films
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undergraduate thesis
Surrogate Father Figures in Martin Scorsese's Films
2018. urn:nbn:hr:162:963234
Štrukelj, Marsel
University of Zadar
Department of English

Cite this document

Štrukelj, M. (2018). Surrogate Father Figures in Martin Scorsese's Films (Undergraduate thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:963234

Štrukelj, Marsel. "Surrogate Father Figures in Martin Scorsese's Films." Undergraduate thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:963234

Štrukelj, Marsel. "Surrogate Father Figures in Martin Scorsese's Films." Undergraduate thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:963234

Štrukelj, M. (2018). 'Surrogate Father Figures in Martin Scorsese's Films', Undergraduate thesis, University of Zadar, accessed 19 December 2024, https://urn.nsk.hr/urn:nbn:hr:162:963234

Štrukelj M. Surrogate Father Figures in Martin Scorsese's Films [Undergraduate thesis]. Zadar: University of Zadar; 2018 [cited 2024 December 19] Available at: https://urn.nsk.hr/urn:nbn:hr:162:963234

M. Štrukelj, "Surrogate Father Figures in Martin Scorsese's Films", Undergraduate thesis, University of Zadar, Zadar, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:162:963234

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Metadata
TitleSurrogate Father Figures in Martin Scorsese's Films
Title (croatian)Likovi surogat očeva u filmovima Martina Scorseseja
AuthorMarsel Štrukelj
MentorRajko Petković (mentor)
Committee memberRajko Petković (predsjednik povjerenstva)
Committee memberMarko Lukić (član povjerenstva)
Committee memberZlako Bukač (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2018-09-24, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Filmology
Abstract
Martin Scorsese is a filmmaker who has been active in the filmmaking industry for more than half a century and still continuing with production of films. His skilfulness in the use of filming techniques and directing has resulted in being respected by the critics and other fellow filmmakers. From his beginning in the industry, he has successfully combined exploitative content with the commercial. This thesis analyzes how the concepts of violence, family and religion have shaped Scorsese as a filmmaker, and his creation of relationships between father and child figures in his films Taxi Driver (1976), GoodFellas (1990), Gangs of New York (2002), and The Departed (2006).
Abstract (croatian)
Martin Scorsese je filmski autor koji je aktivan u filmskoj industriji više od pola stoljeća te koji i dalje nastavlja s izradom filmova. Njegova vještina korištenja tehnika snimanja i režiranja je rezultirala poštovanjem od strane kritičara i drugih kolega filmskih autora. Uspješno je spojio eksploatacijske sadržaje s komecijalnima od svog početka u filmskoj industriji. Ovaj završni rad analizira kako su pojmovi nasilja, obitelji i religije oblikovali Scorseseja kao redatelja, ali i njegovo stvaranje odnosa između likova očeva i djece u filmovima Taksist (1976), Dobri momci (1990), Bande New Yorka (2002) i Pokojni (2006).
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:162:963234
Study programmeTitle: English Language and Literature (double major)
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) engleskoga jezika i književnosti (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) engleskoga jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2018-10-04 12:38:10