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master's thesis
Walter Benjamin: između umjetnosti i kulture
2017. urn:nbn:hr:162:100243
Sabalić, Josip
University of Zadar
Department of Philosophy

Cite this document

Sabalić, J. (2017). Walter Benjamin: između umjetnosti i kulture (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:100243

Sabalić, Josip. "Walter Benjamin: između umjetnosti i kulture." Master's thesis, University of Zadar, 2017. https://urn.nsk.hr/urn:nbn:hr:162:100243

Sabalić, Josip. "Walter Benjamin: između umjetnosti i kulture." Master's thesis, University of Zadar, 2017. https://urn.nsk.hr/urn:nbn:hr:162:100243

Sabalić, J. (2017). 'Walter Benjamin: između umjetnosti i kulture', Master's thesis, University of Zadar, accessed 18 April 2024, https://urn.nsk.hr/urn:nbn:hr:162:100243

Sabalić J. Walter Benjamin: između umjetnosti i kulture [Master's thesis]. Zadar: University of Zadar; 2017 [cited 2024 April 18] Available at: https://urn.nsk.hr/urn:nbn:hr:162:100243

J. Sabalić, "Walter Benjamin: između umjetnosti i kulture", Master's thesis, University of Zadar, Zadar, 2017. Available at: https://urn.nsk.hr/urn:nbn:hr:162:100243

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Metadata
TitleWalter Benjamin: između umjetnosti i kulture
Title (english)Walter Benjamin: between art and culture
AuthorJosip Sabalić
MentorNives Delija Treščec (mentor)
Committee memberJure Zovko (predsjednik povjerenstva)
Committee memberAnte Periša (član povjerenstva)
Committee memberNives Delija Treščec (član povjerenstva)
GranterUniversity of Zadar
(Department of Philosophy)
Zadar
Defense date and country2017-10-27, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philosophy
Philosophy of Culture
Abstract
U središnjem dijelu ovog rada analiziraju se radovi Waltera Benjamina koji govore o umjetnosti i kulturi. U radu se kreće od analize eseja Umjetničko djelo u razdoblju tehničke reprodukcije, naglašavajući pritom temeljni pojam eseja, a to je aura. Pojavom tehničke reprodukcije, prvo u fotografiji a zatim i u filmu, gubi se aura umjetničkog djela. To je simptomatski proces koji nadilazi granice umjetnosti i može se razmatrati u kontekstu pojave masovne kulture. Kako bi se što bolje razumjelo Waltera Benjamina u radu se analiziraju i djela koja govore o njegovom razumijevanju vremena, povijesti te njegova epistemologija „mozaika“ i „dijalektičkih slika“. Konačno, ovi koncepti se koriste kako bi se bolje razumjelo njegova djela o modernoj kulturi i umjetnosti.
Abstract (english)
In the central part of this paper we are analyzing Walter Benjamin works in which he argues about art and culture. First, we are analyzing the essay The Work of Art in the Age of Mechanical Reproduction, emphasizing the fundamental notion of the essay, which is aura. With the appearance of technical reproduction, first in photography and then in film, the aura of the artwork is lost. This is a symptomatic process that goes beyond the boundaries of art and can be considered in the context of the emergence of mass culture. We are also analyzing works that speak of his understanding of time, history, his “epistemology of mosaic" and "dialectical images". Finally, these concepts are used for better understanding of his works on modern culture and art.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:162:100243
Study programmeTitle: Philosophy (double major); specializations in: Teaching
Course: Teaching
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije filozofije (magistar/magistra edukacije filozofije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-04-16 09:01:10