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master's thesis
Authorship in Translation – Lauren Groff’s “Fugue”
2024. urn:nbn:hr:162:078242
Ištuk, Dora
University of Zadar
Department of English

Cite this document

Ištuk, D. (2024). Authorship in Translation – Lauren Groff’s “Fugue” (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:078242

Ištuk, Dora. "Authorship in Translation – Lauren Groff’s “Fugue”." Master's thesis, University of Zadar, 2024. https://urn.nsk.hr/urn:nbn:hr:162:078242

Ištuk, Dora. "Authorship in Translation – Lauren Groff’s “Fugue”." Master's thesis, University of Zadar, 2024. https://urn.nsk.hr/urn:nbn:hr:162:078242

Ištuk, D. (2024). 'Authorship in Translation – Lauren Groff’s “Fugue”', Master's thesis, University of Zadar, accessed 16 March 2025, https://urn.nsk.hr/urn:nbn:hr:162:078242

Ištuk D. Authorship in Translation – Lauren Groff’s “Fugue” [Master's thesis]. Zadar: University of Zadar; 2024 [cited 2025 March 16] Available at: https://urn.nsk.hr/urn:nbn:hr:162:078242

D. Ištuk, "Authorship in Translation – Lauren Groff’s “Fugue”", Master's thesis, University of Zadar, Zadar, 2024. Available at: https://urn.nsk.hr/urn:nbn:hr:162:078242

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Metadata
TitleAuthorship in Translation – Lauren Groff’s “Fugue”
Title (croatian)Prijevod i autorstvo – Lauren Groff i „Fuga“
AuthorDora Ištuk
MentorTomislav Kuzmanović (mentor)
Committee memberMarko Lukić (predsjednik povjerenstva)
Committee memberTomislav Kuzmanović (član povjerenstva)
Committee memberZlatko Bukač (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2024-03-14, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Anglistics
Abstract
This thesis discusses the position of translators when it comes to authorship and copyright. The theoretical framework provides a historical and contemporary overview of their subordinated status and compares them with original writers in terms of advantages such as fame, earnings and recognition, as well as in terms of originality, authenticity and creativity. The main focus is on Lawrence Venuti’s concepts of domestication and foreignization, the translator’s (in)visibility and illusion, and their connection with authorship. Also, the thesis deals with the matter of ethics in translation, i.e. it discusses how to protect rights of both translators and writers. The theoretical part is followed by the translation of Lauren Groff’s short story “Fugue”, which provides examples of domestication, foreignization and authorship in translation
Abstract (croatian)
Ovaj diplomski rad bavi se pitanjem položaja prevoditelja kada se radi o autorstvu i autorskim pravima. Teorijski okvir nudi povijesni i suvremeni pregled podređenosti prevoditelja i uspoređuje ih s autorima izvornika u odnosu na prednosti kao što su slava, novac i priznanje, ali i u odnosu na originalnost, autentičnost i kreativnost. Glavne točke rada su koncepti podomaćivanja, postranjivanja, prevoditeljske (ne)vidljivosti i iluzije Lawrencea Venutija te njihova povezanost s autorstvom. Nadalje, rad se bavi i pitanjem etike u prijevodu, odnosno pitanjem zaštite prava i prevoditelja i pisaca. Nakon teoretskog dijela slijedi prijevod kratke priče „Fuga“ Lauren Groff i primjeri podomaćivanja, postranjivanja i autorstva u prijevodu.
Keywords
Keywords (english)
Languageenglish
URN:NBNurn:nbn:hr:162:078242
Study programmeTitle: English Studies (double major); specializations in: Teacher Education Programme, Philology
Course: Philology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra engleskog jezika i književnosti / sveučilišni/a magistar/magistra edukacije engleskog jezika i književnosti (sveučilišni/a magistar/magistra engleskog jezika i književnosti / sveučilišni/a magistar/magistra edukacije engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2025-03-06 10:18:09