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master's thesis
Queer Deviance in New Queer Cinema
2023. urn:nbn:hr:162:154148
Ivanov, Antonia
University of Zadar
Department of English

Cite this document

Ivanov, A. (2023). Queer Deviance in New Queer Cinema (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:154148

Ivanov, Antonia. "Queer Deviance in New Queer Cinema." Master's thesis, University of Zadar, 2023. https://urn.nsk.hr/urn:nbn:hr:162:154148

Ivanov, Antonia. "Queer Deviance in New Queer Cinema." Master's thesis, University of Zadar, 2023. https://urn.nsk.hr/urn:nbn:hr:162:154148

Ivanov, A. (2023). 'Queer Deviance in New Queer Cinema', Master's thesis, University of Zadar, accessed 12 November 2024, https://urn.nsk.hr/urn:nbn:hr:162:154148

Ivanov A. Queer Deviance in New Queer Cinema [Master's thesis]. Zadar: University of Zadar; 2023 [cited 2024 November 12] Available at: https://urn.nsk.hr/urn:nbn:hr:162:154148

A. Ivanov, "Queer Deviance in New Queer Cinema", Master's thesis, University of Zadar, Zadar, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:162:154148

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Metadata
TitleQueer Deviance in New Queer Cinema
Title (croatian)Queer devijantnost u novom queer filmu
AuthorAntonia Ivanov
MentorRajko Petković (mentor)
Committee memberVesna Ukić Košta (predsjednik povjerenstva)
Committee memberZlatko Bukač (član povjerenstva)
Committee memberRajko Petković (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2023-09-29, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Abstract
This thesis revolves around the phenomenon of deviance in relation to films within the cinematic movement dubbed New Queer Cinema. This cinematic movement originated in the nineties and featured unapologetically queer directors making irreverently vibrant films that challenged conventions of positive representation and heteronormativity. The thesis engages with academic queer theory as well as the history of portrayal of queer individuals in order to explore and analyze the themes present throughout the films within the movement. It features analysis of three films: Swoon (1992), The Living End (1992), and Bound (1996). These films were chosen for their challenging view on deviant subjects, and critical perspective towards assimilation and societal norms. They challenge the viewers’ conception of morality and what even constitutes deviance.
Abstract (croatian)
Ovaj diplomski rad bavi se fenomenom devijantnosti povezanim s filmovima koji pripadaju kinematografskom pokretu nazvanom novi queer film. Ovaj kinematografski pokret nastao je u devedesetim godinama prošlog stoljeća i uključivao je filmove queer redatelja koji su problematizirali konvencije heteronormativnosti te koji nisu nužno bili zabrinuti za to da queer pojedinci budu pozitivno prikazani. Također queer teorija kao i povijest prikaza queer pojedinaca u filmu korišteni su za ilustraciju i objašnjenje tema u analiziranim filmovima. Fokus je stavljen na tri filma: Vrtoglavica (1992.), Do Samog Kraja (1992.) i Vezane (1996.). Ovi filmovi su izabrani zbog svog prikaza devijantnih pojedinaca, kao i zbog svog kritičnog stava prema društvenim normama i asimilaciji LGBTQ+ zajednice. Oni također potiču gledatelje na razmišljanje o društvenoj konstrukciji moralnosti i devijantnosti.
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:162:154148
Study programmeTitle: English Language and Literature (double major); specializations in: Teaching, Research
Course: Research
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra engleskog jezika i književnosti / sveučilišni/a magistar/magistra edukacije engleskog jezika i književnosti (sveučilišni/a magistar/magistra engleskog jezika i književnosti / sveučilišni/a magistar/magistra edukacije engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
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Created on2023-10-17 11:18:58