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undergraduate thesis
Kritika impresionizma
2020. urn:nbn:hr:162:307361
Kolak, Monika
University of Zadar
Department of History of Art

Cite this document

Kolak, M. (2020). Kritika impresionizma (Undergraduate thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:307361

Kolak, Monika. "Kritika impresionizma." Undergraduate thesis, University of Zadar, 2020. https://urn.nsk.hr/urn:nbn:hr:162:307361

Kolak, Monika. "Kritika impresionizma." Undergraduate thesis, University of Zadar, 2020. https://urn.nsk.hr/urn:nbn:hr:162:307361

Kolak, M. (2020). 'Kritika impresionizma', Undergraduate thesis, University of Zadar, accessed 21 March 2025, https://urn.nsk.hr/urn:nbn:hr:162:307361

Kolak M. Kritika impresionizma [Undergraduate thesis]. Zadar: University of Zadar; 2020 [cited 2025 March 21] Available at: https://urn.nsk.hr/urn:nbn:hr:162:307361

M. Kolak, "Kritika impresionizma", Undergraduate thesis, University of Zadar, Zadar, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:162:307361

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Metadata
TitleKritika impresionizma
Title (english)Criticism of Impressionism
AuthorMonika Kolak
MentorSofija Sorić (mentor)
Committee memberVinko Srhoj (predsjednik povjerenstva)
Committee memberSofija Sorić (član povjerenstva)
Committee memberAntonija Mlikota (član povjerenstva)
GranterUniversity of Zadar
(Department of History of Art)
Zadar
Defense date and country2020-10-09, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications
Abstract
U radu se obrađuje kritički osvrt na impresionizam. Uvodni dio razrađuje povijesni kontekst kojim se dobiva uvid u političke i društvene okolnosti u vrijeme formiranja impresionista. Zatim se pojašnjava tehnički aspekt impresionističke estetike. Predstavljaju se istaknuti kritičari te se razrađuju njihovi osvrti. Tekst je podijeljen kronološki, započevši od prve izložbe impresionista. Predstavljanjem prvih reakcija kritičara daje se uvid u duboke razlike nove estetike s akademskim stilom. Nakon... More predstavljanja prvih reakcija, citirani su podupiratelji impresionista koji su priželjkivali nova strujanja u umjetnosti. Zatim se izlažu kritički osvrti na Pissarrove krajolike i kroz njih invencije impresionističkog stila. Tekst se nastavlja razradom mogućih uzora i inspiracija te se tu prepoznaje originalnost i individualizam impresionista. Moderno doba se navodi kao važan aspekt koji je stvorio potrebu da se producira umjetnost koja korespondira sa sadašnjicom. Zatim se obrađuje impresionistička figura i način na koji su je kritičari doživjeli, tu se ističu Degas i Renoir. Za kraj poglavlja se navodi razlog zasićenja impresionizmom i najavljuje se nova tema razrade – postimpresionistička kritika impresionizma. Razrađuje se posljednja faza impresionizma i način na koji se postimpresionisti nadovezuju na tu estetiku. S obzirom na to da impresionizam tvori ranu i kratku fazu u opusima postimpresionista, koncizno se izlažu njihovi komentari i razlozi za pronalaženje nove estetike. Posljednje poglavlje sadrži feministički osvrt na impresionizam. Sastoji se od povijesnog konteksta u kojem se izlaže kompleksan odnos muškaraca i žena u devetnaestom stoljeću. Nadalje se spominju mogućnosti za integraciju na umjetničku scenu te preferirane teme za žene. Poglavlje završava razradom teze da je impresionizam ženska umjetnost. Cilj je rada dobiti uvid u „kulturološku klimu“ u kojoj su se impresionisti počeli formirati, recepcija njihovog djela kod kritičara i publike te doprinos modernoj umjetnosti. Less
Abstract (english)
This paper attempts to give a critical understanding of impressionism, its history and techniques. Firstly, it will introduce impressionism through its historical context providing insight of the political and cultural circumstances in the time of its formation. The discussion around impressionism is well documented, from its beginnings in the modern age to its eventual saturation. As well as the technical aspects of the new aesthetics and how they differ from the academic style. Its influence... More on Post impressionism which led to the development of a post impressionist critique of impressionism. Finally the intricate way it relates to feminism. The aim of this paper is to examine a cultural climate which gave rise to impressionist artists and show how they have been represented by critic. It intends chronologically to show that Impressionism and its inventions have influenced modern art from the very first exhibitions. The initial reaction of critics gives a deep insight into impressionism, after presenting some of their criticisms, supporters of the Impressionists who wished for new currents in art are quoted. Critical reviews of Pissarro 's landscapes and, through them, inventions of the Impressionist style are then presented. The text continues with the elaboration of possible role models and inspirations, and the originality and individualism of the Impressionists are recognized here. The modern age is cited as an important aspect that created the need to produce art that corresponds to the present. Then the impressionist figure is treated and the way the critics experienced it, Degas and Renoir stand out there. The reason for saturation with impressionism is stated and a new topic of elaboration is announced - post-impressionist critique of impressionism. The last phase of Impressionism and the way in which the Post-Impressionists build on this aesthetic are elaborated. Given that Impressionism forms an early and short phase in the rich opuses of the Post-Impressionists, their comments and reasons for finding a new aesthetic are concisely presented. The last chapter contains a feminist review of Impressionism. It consists of a historical context in which the complex relationship of men and women in the nineteenth century is exposed. Opportunities for integration into the art scene and preferred themes for women are further mentioned. The chapter concludes with an elaboration of the thesis that Impressionism is a female art. Less
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:162:307361
Study programmeTitle: History of art
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) povijesti umjetnosti (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-02-04 14:38:21
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