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master's thesis
Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina
2018. urn:nbn:hr:162:870612
Torić, Jakov
University of Zadar
Department of History of Art

Cite this document

Torić, J. (2018). Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:870612

Torić, Jakov. "Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina." Master's thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:870612

Torić, Jakov. "Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina." Master's thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:870612

Torić, J. (2018). 'Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina', Master's thesis, University of Zadar, accessed 23 November 2024, https://urn.nsk.hr/urn:nbn:hr:162:870612

Torić J. Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina [Master's thesis]. Zadar: University of Zadar; 2018 [cited 2024 November 23] Available at: https://urn.nsk.hr/urn:nbn:hr:162:870612

J. Torić, "Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina", Master's thesis, University of Zadar, Zadar, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:162:870612

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Metadata
TitleAutorski igrani dugometražni film u Hrvatskoj 1960-ih godina
Title (english)Original feature-length film in the 1960s Croatia
AuthorJakov Torić
MentorVinko Srhoj (mentor)
Committee memberAntonija Mlikota (predsjednik povjerenstva)
Committee memberKarla Lebhaft (član povjerenstva)
Committee memberVinko Srhoj (član povjerenstva)
GranterUniversity of Zadar
(Department of History of Art)
Zadar
Defense date and country2018-03-22, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications
Abstract
Autorski igrani dugometražni film u Hrvatskoj 1960-ih godina nastajao je u sklopu kinematografije ondašnje Socijalističke Federativne Republike Jugoslavije. Nakon 1950-ih godina i dominacije „producentske kinematografije“ u proizvodnji filmova, s pojavom liberalnijeg socijalizma u Jugoslaviji dolazi do formiranja autorskog filma koji je nosio razne sinonimne nazive kao što su novi film pa i novi val, to jest novi valovi. Ovaj diplomski rad ima za cilj definirati pojam autorskog filma i filmskog autora u periodu u kojem je modernistički tip strukturiranja filma bio estetska dominanta, te kroz stilsku analizu na odabranim dugometražnim igranim filmovima pokušati izdvojiti i definirati one izlagačke postupke koji se karakteriziraju kao modernistički, odnosno autorski.
Abstract (english)
Original feature-length film in Croatia during the 1960s emerged within Socialist Federal Republic of Yugoslavia’s cinematography. After the 1950s and the domination of “producer cinematography“ in movie making, with the appearance of more liberal socialism in Yugoslavia a new form of original film arose, carrying various synonymous names such as new film, and even new wave, or rather new waves. The goals of this master’s thesis is defining original film and its author in the period when modernistic structure of film was aesthetic dominant, as well as extricating and defining displayed procedures characterized as modernistic and original through stylistic analysis of selected feature-length movies.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:162:870612
Study programmeTitle: History of Art (Museum and Gallery Studies/Art-conservation studies); specializations in: Science, Art-conservation studies and Museum and Gallery Studies
Course: Art-conservation studies and Museum and Gallery Studies
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2019-10-28 17:39:34