This paper analyzes and describes dramaturgical characteristics of the performance "Mnogolozi", which was produced and directed by the Zadar actress Mia Zara and performed by a group of amateur actors. The thesis represents a personal insight into the play and offers an analysis of the selected monologues which have been taken from Croatian and world literature and which have been used as literary templates in creating the play’s story and plot. Monologues have become elements of dialogues and have been linked by external and internal transcoding elements in accordance with the deep structure of monologues in which characters communicate with the outside world and thus show their own interpretation of the world. The external transcoding was based on the character of Celestine from Max Frisch’s play because, in the original monologue, she is the only character who is a prostitute, and that structural element was transferred to most female characters. Female characters in the play can be grouped into two categories, brothel girls and ghost characters. The main intersection and link between the ghosts and the brothel girls is the character of Damian. In terms of its genre, the play is a crime comedy with elements of supernatural thriller. Comical elements of the play serve as psychological relief and offer a sense of supremacy over tragic events in the play. The play’s scenography is minimal with allusions to dance minimalism, and the girls are dressed in black clothes and footwear. Individual plots between the characters are not related in a classical dramaturgical way, but are connected through a counterpoint, in a parallel and convergent manner, by two sign systems in the form of a dramaturgic montage as an independent whole. Such form connects the play with the Non-Aristotelian dramaturgy of Bertolt Brecht and the practice of merging separate sequences into a whole, thus creating the play.